Tag Archives: summer

Summer, mid-week afternoon, in the park.

You’ve been adjusting your clothes all afternoon, they keep sticking, you’ve told me. Everything sticks to your summer skin, except your bra strap which refuses to hold onto your shoulder. Eventually you give up and let it hang loose. You look like you have no desire to be here, indoors, like you were dragged in by some vague sense of professional duty; like as you padded barefoot from your bed to the door you literally picked up and put on the loosest clothing you could decently wear. You look like you’d rather still be there, sweltering on that bed, surviving the summer, a little high, a little buzz to stoke that glint in your eye and make the furnaces hours pass faster. But you’re not, you’re here, with me, for our sins. I assure you I’d rather be there too, high, buzzed, with the curtains drawn, ineffectual, against the sun.

“In my bedroom?” you ask.

This is perhaps taking me too literally, I meant in a more general sense, I’d rather be there in that kind of place, where summer becomes something we ignore rather than endure and sit here to talk and pretend it’s not all just too much to cope with. My problems seem insignificant when it’s hot enough for heels to prick the tarmac outside.

We can open all the windows you want, turn this room into a vortex of contradictory currents, but every one of them is hot and we both feel like we’re cooking in here. We stick to our chairs, sweat pours off us, and the way it runs down your throat and drips from your collar bone when you lean is making it impossible to concentrate. This is something I’m still unsure about, if it’s deliberate, not the sweating, but your apparent lack of self-consciousness around your body. Maybe you don’t know, maybe you don’t care, maybe you know and care and want me to, too.

“This is madness,” you say eventually, “today’s session,” you shrug, hands folded on your lap, “will take place outside.”

It feels odd being out with you. I’m used to us talking indoors, for the experience to be contained in that single familiar space, but out here, as we cross the street between parked cars, I feel like what we do is vulnerable, like you might be fallible.

Across the street and between the trees of the park the enclosed space returns a sense of comfort, an encircling hum of nature’s summer that stops just short of claustrophobia. The village sounds fade to be replaced with the insect buzz, that noise of frantic activity on a minuscule scale. And we move through the shade of the trees, drawn towards the cool of the pond that idles overgrown somewhere ahead.

It seems we have the park to ourselves today, what passes for busy in the village is all going on elsewhere. We could be miles away but for the steeple always visible above the trees.

The trees give way to long grass and the pond, its waters invitingly clear, and here, on the bank, we sit, partially shaded by the waving tendrils of the willow. Our conversation, the purpose of our being together today, never stood a chance, it didn’t even begin again. We sit in the long grass and the breeze blows away our obligations, scatters them like seeds and pollen on the pond.

“This is nice,” you say, barely forming the words, just exhaling them. “Just being out, without agenda or objective. When was the last time you just sat in the grass and watched the world?”

“There’s not a lot of world to see right here,” I observe.

“Then watch the clouds,” you say sleepily, and lay on your back. “Come.”

I lay recline beside you, uncertain until I’m flat and then I feel a summer’s exhaustion ease.

“Fuck,” I breathe, “sorry, but… fuck.”

You nod beside me and hum your concordance.

“Time to get my feet wet,” you say, the smile showing on your voice. And you kick off your shoes and lower your feet to the water.

The noise you make sends shivers up my spine and I feel your knuckles touching mine.

Up on The Downs

A girl sits under skylark and buzzard, her shoes and knees scuffed with chalk dust, she tosses a stone to the millpond. She is beautiful but this doesn’t matter. The wind in the wheat and the distant hum of the contented dairy herd. Below the hills sits the world. A world of avenues that look like hedgerows from up here. A world of toy villages with silent church spires. A world of kissing gates in the twitterns. She tilts her head and sends a mercury glint of glass rushing along hidden country roads. Up here just the rolling green, the song and the sky. Up here, stiles on broad tracks.

She tosses a stone and watches that perfect circumference expand, touch the edge and bounce back, meeting its children coming the other way. This is practiced and perfect.

The kestrel on the fence post stares. He tilts his head as if he’s a songbird, considers her, then he’s off, to hover swoop and abort, hover swoop dive and abort, until a dive takes him in to the long grass and out of sight.

There’s a horse that gallops but never goes anywhere, he doesn’t need to, from up here everyone can see him. And people will come to see him. The horse means the hills belong to her. So she tosses another stone and watches the ripples slow their children.

Arson in A minor

On the train,
by the door,
going home,
when she steps in and leaves her cigarette burning on the platform.

The second week of July,
not a drop of rain for weeks,
nothing but parched ground and dry wind.

Beside the station just waving fields of yellow grass,
beyond that pine forests.

And there,
on the ground,
her discarded embers.

Smoke rising,
a pure swell,
that pure swirl,
so impure,
so perfect,
so full of consequence.
And her smell.
Just sex,
just unjust.
Just an enticement,
a coax,
a come hither,
a why bother,
to resist.
A,
‘just let the warm wind blow,
and ignite you,
and invite you’,
and not to accept a ‘no’.

Not even a smoulder,
no spark,
no gradual,
she takes me straight to those perfect orange flicking tongues,
straight to my chest,
to my heart,
to my lungs,
up my throat to breathe rough and smooth and promise,
with a glow,
in her eyes,
that it’ll just be a little forest fire,
just a minor inferno.